Organ Works
About the edition of songs
Read more in RWA Online…
- RWA Volume I/1 – Early reception of the chorale fantasias
- RWA Volume I/1 – The conception of the chorale fantasias
- RWA Band I/1 – Chorale fantasias
- RWA Volume I/2 – Fantasias and Fugues, Variations, Sonatas, Suites I; The conception of the works
- RWA Band I/2 – Fantasias and Fugues, Variations, Sonatas, Suites I, Introduction
- RWA Volume I/2 – Fantasias and Fugues, Variations, Sonatas, Suites I; Early reception
- RWA Band I/2 – Fantasias and Fugues, Variations, Sonatas, Suites I, biographical context
- RWA Volume I/3 – Fantasias and Fugues, Variations, Sonatas, Suites II; Biographical context
- RWA Volume I/3 – Fantasias and Fugues, Variations, Sonatas, Suites II; Early reception
- RWA Volume I/4 – Chorale preludes; Introduction
- RWA Volume I/4 – Chorale preludes; Early reception
- Collections of character pieces for orgn (RWA Vol. I/5–7)
- RWA Volume I/6 – Organ pieces II; Biographical context
- Chorales in Reger's works for organ
- The Reger-Gesamtausgabe (1954–86)
- Reger und das Harmonium
- RWA Volume I/7 – Organ pieces III; Introduction
- Akzidenzien bei Haltetönen – Beispiele
- Reger and Johann Sebastian Bach
- Alternating notes within ornaments
- Manuscripts for Karl Straube
- Karl Straube's influence on Reger's organ works
- Reger being an organist
- On writing habits and idiosyncrasies in Reger's manuscripts
- On the choice of tempo in Reger's works
- Zur Bedeutung des Chorals »O Haupt voll Blut und Wunden« für Reger
- Zu Regers Verwendung von roter Tinte